“The human being embodies a tension between a nature which has since been lost and an unreachable Divine Creator,” writes Rudolf Borchardt in his book The Passionate Gardener. And he continues: “The garden stands at precisely the center of this tension and displaces itself, in accord with its fluctuations in the epoch and the individual, toward one or the other: toward nature or creativity. This is the deepest reason for which the human being dreams that our origins lie in (...) a garden, and that the garden is the place in which we achieve enlightenment; this is why we hope to find redemption in a garden, and why we look for solace there.”2What Borchardt articulates so well is that a garden is not just an enactment of a.. (shrink)

In the ideal case archives are the official places or institutions where all the biographical, bibliographical, published and unpublished material of one or several authors are collected and presented as well as their correspondencies, material belonging to them or their families, secondary literature etc. As there is hardly any ideal archive to be found some archives - more or less related to Austrian Philosophy - and their work are sketched and a rough scheme for the order of the literary estate (...) of some author is suggested. By the example of the Meinong-Gesamtausgabe a fruitful combination of archival and editorial work is presented and finally some problems concerning present philosophical editions (Franz Brentano and Ludwig Wittgenstein) are discussed. (shrink)

In the ideal case archives are the official places or institutions where all the biographical, bibliographical, published and unpublished material of one or several authors are collected and presented as well as their correspondencies, material belonging to them or their families, secondary literature etc. As there is hardly any ideal archive to be found some archives - more or less related to Austrian Philosophy - and their work are sketched and a rough scheme for the order of the literary estate (...) of some author is suggested. By the example of the Meinong-Gesamtausgabe a fruitful combination of archival and editorial work is presented and finally some problems concerning present philosophical editions (Franz Brentano and Ludwig Wittgenstein) are discussed. (shrink)

From the contents: Philosophie, Politik und Wissenschaftliche Weltauffassung: zur Frage der Philosophie in Osterreich und Deutschland (B. Smith). - Facts, truths and the ontology of logical realism (H. Hochberg). - Franz Brentano und die Wiederentdeckung der Intentionalitat Richtigstellung herkommlicher Missverstandnisse und Missdeutungen (M. Antonelli). - Erneuerung der Philosophia Perennis: uber die ersten vier Habilitationsthesen Brentanos (W. Sauer). - Confessions of a Meinongian logician (D. Jacquette). - Lewis and Sylvan on noneism (A. Witherall). - What is it to compose a (...) musical work (M.E. Reicher).". (shrink)

From the contents: Philosophie, Politik und Wissenschaftliche Weltauffassung: zur Frage der Philosophie in Osterreich und Deutschland (B. Smith). - Facts, truths and the ontology of logical realism (H. Hochberg). - Franz Brentano und die Wiederentdeckung der Intentionalitat Richtigstellung herkommlicher Missverstandnisse und Missdeutungen (M. Antonelli). - Erneuerung der Philosophia Perennis: uber die ersten vier Habilitationsthesen Brentanos (W. Sauer). - Confessions of a Meinongian logician (D. Jacquette). - Lewis and Sylvan on noneism (A. Witherall). - What is it to compose a (...) musical work (M.E. Reicher).". (shrink)

This volume, originating from the centennial Second International Conference Graz 1977-2017 on Franz Brentano's philosophy, collects eighteen essays written by nineteen distinguished specialists covering the main areas of Brentano's philosophy: his epistemology, ontology, ethics, and logic, and his contributions to psychology and philosophy of mind. Its goal is to explore the significance and impact of Brentano's thought, to promote a deepening of the ongoing renaissance of interest in Brentano, and to advance the project of understanding Brentano's actual philosophical positions (...) and correcting entrenched misunderstandings. (shrink)

Name der Zeitschrift: Naharaim Jahrgang: 10 Heft: 2 Seiten: 303-319.

Rudolf Carnap’s formative years as a philosopher were his time in Jena where he studied mathematics, physics, and philosophy, among others, with Gottlob Frege, the neo-Kantian Bruno Bauch, and Herman Nohl, a pupil of Wilhelm Dilthey.2 Whereas both the influence of Frege and of the neo-Kantians is quite well known,3 the importance of the Dilthey school for Carnap’s intellectual development was recently highlighted by scholars, such as Gottfried Gabriel and Hans-Joachim Dahms.4 Although Carnap himself was interested mainly in the (...) problems of logic and the philosophy of the natural sciences, the community in which he worked until he went to Vienna in 1926 was neither a community of neo-Kantian philosophers nor of logicians or philosophers of the natural sciences but a community of members of the Dilthey school that were interested in history of philosophy,5 pedagogic,6 aesthetics,7 and sociology.8 Carnap and his friends were all members of the so-called Seracircle, a group of young people that met frequently in Jena and, between 1919 and 1926, also in Carnap’s home in Buchenbach near Freiburg.9 The first version of the Aufbau was written in close connection with this group of young people that were interested in a reform of the whole society, including arts, politics, sciences, and everyday life. In Carnap’s Werkstatt in Buchenbach, the Aufbau and at least two more manifestos of a more or less philosophical nature were written: Franz Roh’s “Nach-Expressionismus” and Wilhelm Flitner’s “Laienbildung.”10 Given these historical facts, we must conclude that the Aufbau is the product of an intellectual enterprise that developed in close connection with the Dilthey school, but in which Frege and the neo-Kantians seem to have played only a small role. (shrink)

Rudolf Carnap’s formative years as a philosopher were his time in Jena where he studied mathematics, physics, and philosophy, among others, with Gottlob Frege, the neo-Kantian Bruno Bauch, and Herman Nohl, a pupil of Wilhelm Dilthey.2 Whereas both the influence of Frege and of the neo-Kantians is quite well known,3 the importance of the Dilthey school for Carnap’s intellectual development was recently highlighted by scholars, such as Gottfried Gabriel and Hans-Joachim Dahms.4 Although Carnap himself was interested mainly in the (...) problems of logic and the philosophy of the natural sciences, the community in which he worked until he went to Vienna in 1926 was neither a community of neo-Kantian philosophers nor of logicians or philosophers of the natural sciences but a community of members of the Dilthey school that were interested in history of philosophy ,5 pedagogic ,6 aesthetics ,7 and sociology .8 Carnap and his friends were all members of the so-called Seracircle, a group of young people that met frequently in Jena and, between 1919 and 1926, also in Carnap’s home in Buchenbach near Freiburg.9 The first version of the Aufbau was written in close connection with this group of young people that were interested in a reform of the whole society, including arts, politics, sciences, and everyday life. In Carnap’s Werkstatt in Buchenbach, the Aufbau and at least two more manifestos of a more or less philosophical nature were written: Franz Roh’s “Nach-Expressionismus” and Wilhelm Flitner’s “Laienbildung.”10 Given these historical facts, we must conclude that the Aufbau is the product of an intellectual enterprise that developed in close connection with the Dilthey school, but in which Frege and the neo-Kantians seem to have played only a small role. (shrink)

Rudolf Carnap hat nur im Vorwort zum „Logischen Aufbau der Welt“ Bemerkungen zum Verhältnis seiner wissenschaftlichen Arbeit zur Kunst und Architektur seiner Zeit veröffentlicht. Aber sein emphatisches Bekenntnis zur Moderne der 20er-Jahre hat bisher nur selten Aufmerksamkeit in der philosophiegeschichtlichen Sekundärliteratur gefunden. In meinem Beitrag versuche ich in den ersten beiden Abschnitten, seinen kulturellen Hintergrund seit seiner Schul- und Studentenzeit zu skizzieren und dann seine persönlichen Kontakte und Austauschbeziehungen mit Vorkämpfern der Moderne wie Franz Roh und Siegfried Giedion (...) zu beschreiben. Nach diesen Vorbereitungen wird die Frage gestellt, ob und in wieweit Carnaps Philosophie selbst als ein Teil der Bewegung der Neuen Sachlichkeit verstanden werden kann oder sogar muss. Zur Beantwortung werden eine Reihe von Charakteristika dieses Zeitgeist-Phänomens aus den – gleichzeitig mit Carnaps „Aufbau“ erschienenen Werken der Genannten – herauspräpariert und dann untersucht, ob diese Kriterien sich auch im Werk Carnaps finden. Das Ergebnis ist, dass man ihn mit Fug und Recht als „Philosoph der Neuen Sachlichkeit“ bezeichnen kann. (shrink)

This book is a survey of the most important developments in Austrian philosophy in its classical period from the 1870s to the Anschluss in 1938. Thus it is intended as a contribution to the history of philosophy. But I hope that it will be seen also as a contribution to philosophy in its own right as an attempt to philosophize in the spirit of those, above all Roderick Chisholm, Rudolf Haller, Kevin Mulligan and Peter Simons, who have done so (...) much to demonstrate the continued fertility of the ideas and methods of the Austrian philosophers in our own day. For some time now, historians of philosophy have been gradually coming to terms with the idea that post-Kantian philosophy in the German-speaking world ought properly to be divided into two distinct traditions which we might refer to as the German and Austrian traditions, respectively. The main line of the first consists in a list of personages beginning with Kant, Fichte, Hegel and Schelling and ending with Heidegger, Adorno and Bloch. The main line of the second may be picked out similarly by means of a list beginning with Bolzano, Mach and Meinong, and ending with Wittgenstein, Neurath and Popper. As should be clear, it is the Austrian tradition that has contributed most to the contemporary mainstream of philosophical thinking in the Anglo-Saxon world. For while there are of course German thinkers who have made crucial contributions to the development of exact or analytic philosophy, such thinkers were outsiders when seen from the perspective of native German philosophical culture, and in fact a number of them found their philosophical home precisely in Vienna. When, in contrast, we examine the influence of the Austrian line, we encounter a whole series of familiar and unfamiliar links to the characteristic concerns of more recent philosophy of the analytic sort. As Michael Dummett points out in his Origins of Analytic Philosophy, the newly fashionable habit of referring to analytic philosophy as "Anglo-American" is in this light a "grave historical distortion". If, he says, we take into account the historical context in which analytic philosophy developed, then such philosophy "could at least as well be called "Anglo-Austrian" (1988, p. 7). Much valuable scholarly work has been done on the thinking of Husserl and Wittgenstein, Mach and the Vienna Circle. The central axis of Austrian philosophy, however, which as I hope to show in what follows is constituted by the work of Brentano and his school, is still rather poorly understood. Work on Meinong or Twardowski by contemporary philosophers still standardly rests upon simplified and often confused renderings of a few favoured theses taken out of context. Little attention is paid to original sources, and little effort is devoted to establishing what the problems were by which the Austrian philosophers in general were exercised -- in spite of the fact that many of these same problems have once more become important as a result of the contemporary burgeoning of interest on the part of philosophers in problems in the field of cognitive science. (shrink)

Barry Smith has written a book about an important topic in philosophy and its recent history, concerning the legacy of Franz Brentano. “The Legacy of Franz Brentano” is also its subtitle, a subtitle much more revealing of its contents than its title: Austrian Philosophy. That title makes one expect either a general picture of philosophy in Austria, past and/or present, or an account of what Rudolf Haller has called Austrian Philosophy, a term that refers to its golden (...) age, to a tradition whose main characteristics are, according to Haller, empiricism, proximity to science, and a concern with language. Smith includes these properties in his characterization of the legacy of Brentano, and adds quite appropriately for that legacy “a concern with ontological structure” and “an overriding interest in the relation of macro-phenomena ... to ... micro-phenomena which underlie or are associated with them”. Smith is quite aware that this addition does not hold for the tradition of Austrian philosophy, since he opposes it to a German tradition, and delineates the former “by means of a list beginning with Bolzano, Mach and Meinong, and ending with Wittgenstein, Neurath, and Popper”. (shrink)

_The Philosophy of Brentano_ has as its goal to explore the significance and impact of Franz Brentano’s thought, to promote a deepening of the ongoing renaissance of interest in Brentano, and to advance the project of understanding Brentano’s actual philosophical positions and correcting entrenched misunderstandings.

This article, inspired by Rudolf Haller’s thesis of an independent, specific, and unitary Austrian tradition of scientific philosophy, develops the idea of a specific Austrian tradition of psychological research, as distinguished in its development from that in Germany. This tradition was shaped by two phenomenological trends, which were merged into unity in Prague by Carl Stumpf and Brentano’s students of the second generation. One trend traces back to Goethe and was continued in Prague by the physiologists Jan E. Purkinje (...) and Ewald Hering, culminating in the work of Ernst Mach. The other trend was initiated by Franz Brentano and spread through his school. Stumpf was the key integrator of these two traditions, which he then partially passed on to his Berlin students and founders of Gestalt psychology. Finally, Karl Bühler’s “reimport” of the Brentanian psychological legacy into the Vienna of the First Republic is briefly illustrated. (shrink)

When one thinks—knows, believes, imagines—that something is the case, one’s thought has a topic: it is about something, towards which one’s mind is directed. What is the logic of thought, so understood? This book begins to explore the idea that, to answer the question, we should take topics seriously. It proposes a hyperintensional account of the propositional contents of thought, arguing that these are individuated not only by the set of possible worlds at which they are true, but also by (...) their topic: what they are about. The book then builds epistemic, doxastic, probabilistic, and conditional logics based on this view. It applies them to issues ranging from dogmatism, scepticism, and epistemic fallibilism, to imagination and suppositional reasoning, belief revision, framing effects, and the acceptability of indicative conditionals. (shrink)

This book contains the definitive statement of Franz Brentano's views on meta physics. It is made up of essays which were dictated by Brentano during the last ten years of his life, between 1907 and 1917. These dictations were assembled and edited by Alfred Kastil and first published by the Felix Meiner Verlag in 1933 under the title Kategorienlehre. Kastil added copious notes to Brentano's text. These notes have been included, with some slight omissions, in the present edition; the (...) bibliographical references have been brought up to date. Brentano's approach to philosophy is unfamiliar to many contemporay readers. I shall discuss below certain fundamental points which such readers are likely to find the most difficult. I believe that once these points are properly understood, then what Brentano has to say will be seen to be of first importance to philosophy. THE PRIMACY OF THE INTENTIONAL To understand Brentano's theory of being, one must realize that he appeals to what he calls inner perception for his paradigmatic uses of the word "is". For inner perception, according to Brentano, is the source of our knowledge of the nature of being, just as it is the source of our knowledge of the nature of truth and of the nature of good and evil. And what can be said about the being of things that are not apprehended in inner perception can be understood only by analogy with what we are able to say about ourselves as thinking subjects. (shrink)

"This book is the first of two volumes on belief and counterfactuals. It consists of six of a total of eleven chapters. The first volume is concerned primarily with questions in epistemology and is expository in parts. Among others, it provides an accessible introduction to belief revision and ranking theory. Ranking theory specifies how conditional beliefs should behave. It does not tell us why they should do so nor what they are. This book fills these two gaps. The consistency argument (...) tells us why conditional beliefs should obey the laws of ranking theory by showing them to be the means to attaining the end of holding true and informative beliefs. The conditional theory of conditional belief tells us what conditional beliefs are by specifying their nature in terms of non-conditional belief and counterfactuals. In addition, the book contains several novel arguments, accounts, and applications. These include an argument for the thesis that there are only hypothetical imperatives and no categorical imperatives; an account of the instrumentalist understanding of normativity, or rationality, according to which one ought to take the means to one's ends; as well as solutions to the problems of conceptual belief change, logical learning, and learning conditionals. A distinctive feature of the book is its unifying methodological approach: means-end philosophy. Means-end philosophy takes serious that philosophy is a normative discipline, and that philosophical problems are entangled with each other. It also explains the importance of logic to philosophy, without being a technical theory itself"--. (shrink)

The ArgumentThis essay attempts to show the decisive importance of the “scientific discipline” for any historical or sociological analysis of modern science. There are two reasons for this:1. A discontinuity can be observed at the beginning of modern science: the “discipline,” which up until that time had been a classificatorily generated unit of the ordering of knowledge for purposes of instruction in schools and universities, develops into a genuine and concrete social system of scientific communication. Scientific disciplines as concrete systems (...) (Realsysteme) arise as a result of (a) the communicative stabilization of “scientific communities” at the end of the eighteenth century and the formation of “appropriate” roles and organizational structures (in universities); (b) the structural differentiation of the new scientific disciplines from the established professions (law, theology, medicine) in Europe; (c) the formation of scientific communication in the standardized form of scientific publication; the distinction of the separate action-type “scientific research” and the differentiation of these two elementary acts of all future scientific endeavor in relation to each other.2. The scientific discipline as primary unit of the internal differentiation of science has, since its genesis, been stabilized by two conditions: (a) The fact of a science differentiated into a plurality of (competing, mutually stimulating) disciplinary perspectives becomes the chief causal factor underlying the developmental dynamism of modern science; (b) Similar to the way in which the discipline functions as a cognitive address within the system of science, science also links the discipline up as a structural unit (utilized in both systems) with curricular structures in the system of education — i.e., it is stabilized by the central system/environment relation of science. (shrink)

People reason not only in beliefs, but also in intentions, preferences, and other attitudes. They form preferences from existing preferences, or intentions from existing beliefs and intentions, and so on. This often involves choosing between rival conclusions. Building on Broome (Rationality through reasoning, Hoboken, Wiley. https://doi.org/10.1002/9781118609088, 2013) and Dietrich et al. (J Philos 116:585–614. https://doi.org/10.5840/jphil20191161138, 2019), we present a philosophical and formal analysis of reasoning in attitudes, with or without facing choices in reasoning. We give different accounts of choosing, in (...) terms of a conscious activity or a partly subconscious process. Reasoning in attitudes differs fundamentally from reasoning _about_ attitudes, a form of theoretical reasoning in which one discovers rather than forms attitudes. We show that reasoning in attitudes has standard formal properties (such as monotonicity), but is indeterministic, reflecting choice in reasoning. Like theoretical reasoning, it need not follow logical entailment, but for a more radical reason, namely indeterminism. This makes reasoning in attitudes harder to model logically than theoretical reasoning. But it can be studied abstractly, using indeterministic consequence operators. (shrink)

First published in English in1966, _The True and The Evident_ is a translation of Franz Brentano’s posthumous _Wahrheit und Evidenz_, edited by Oscsar Kraus. The book includes Brentano’s influential lecture "On the Concept of Truth", read before the Vienna Philosophical Society, a variety of essays, drawn from the immense wealth of Brentano’s unpublished material, and letters written by him to Marty, Kraus Hillebrand, and Husserl. Brentano rejects the familiar versions of the "correspondence theory of truth" and proposes to define (...) the true in terms of the evident. In criticising the metaphysical assumptions presupposed by the correspondence theory, he sets forth a conception of language and reality that has subsequently become known as "reism". (shrink)

In the fall of 1957 the University of California Press expanded Arnheim’s 1933 book _Film_ by four essays and brought that landmark work back into print as _Film as Art._ Now nearly fifty years after that re-edition, the book continues to occupy an important place in the literature of film. Arnheim’s method, provocative in this age of technological wizardry, was to focus on the way art in film was derived from that medium’s early limitations: no sound, no color, no three-dimensional (...) depth. (shrink)

Der Band 'Versuch über die Erkenntnis' wurde von A. Kastil im Jahre 1925 in der Philosophischen Bibliothek herausgegeben. Seinen Inhalt bildet hauptsächlich Franz Brentanos nachgelassene, umfangreiche Schrift: 'Nieder mit den Vorurteilen!' Sie trägt den Untertitel: 'Ein Mahnwort an die Gegenwart, im Geiste von Bacon und Descartes von allem blinden Apriori sich loszusagen'. Die aus dem Jahre 1903 stammende Abhandlung: 'Nieder mit den Vorurteilen!' beschäftigt sich im I. und II. Teil vorwiegend mit Kants synthetischen Urteilen a priori, die mit aller (...) Entschiedenheit abgelehnt werden, weil wir - nach Brentanos Auffassung - in ihnen keine Erkenntnisse, sondern nur blinde Vorurteile gegeben haben. (shrink)

In the paper translated here, Carnap and Bachmann shows that the apparently metalinguistic ?extremal' axioms that are added to some axiom systems to the effect that the foregoing axioms are to apply as broadly, or as narrowly, as possible may be formulated directly as proper axioms. They analyze such axioms into four fundamental types, with the help of a concept of ?complete? isomorphism.

This text translated here (first published in Die Tat in May 1921) is an early elaboration of Rudolf Laban’s polyrhythmic ontology. The phenomenon of rhythm here takes shape through the manifold ways in which it resonates in the text (Ur-rhythm, Eu-rhythm, Kako-rhythm). Besides positing a fundamental co-dependency between rhythm, movement and space, Laban sees rhythm here also as the gateway to a socio-ethical dimension culminating in the Festival, or art of celebration.